Investigating the types of chronotopes in the story of in Azadaran-e Bayal

Document Type : Original Article

Authors

1 Assistant Professor, Department of Persian Language and Literature, Sanandaj Branch, Islamic Azad University, Sanandaj, Iran

2 ph.D. candidate,Department of Persian Language and Literature,Islamic Azad University,Sanandaj Branch,Iran.

Abstract

The term chronotope was used by Mikhail Bakhtin (1895-1975), a Russian literary theorist, as the central element of his theory about meaning in language and literature. Bakhtin used this term in an article called "Forms of Time and Chronotope in the Novel" in 1937. The main feature of this concept means that time and place are not two separate categories; Rather, they are interdependent and none is superior to the other. This article aims to answer the question of how the chronotope as a text analysis tool brings new possibilities to the interpreter. The concept of chronotope, which basically refers to the continuity of time and space in literature and art, is based on the fact that time and space are not considered mere temporal and spatial categories, but are signified and have values attached to them. This research has investigated the types of chronotope and its functions in the story of the mourners of the bill written by Gholamhossein Saedi in a descriptive-analytical way. The findings of the research indicate that the role of chronotopic profiles and their types, such as rural-pastoral chronotope, search, visit, road, threshold, etc., are used in mourners. Among the types of chronotope, the Astana chronotope in this work is more impressive than the mentioned ones.

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